It appears that your cart is currently empty
Order online or call us +1 (604) 731-9292
500 & Under
Southeast Wind, Killer Whale Pole
Robert Davidson (Haida)
Southeast Wind is a Killer Whale with Human and Wiid, a supernatural Haida bird. The two holes re...
Southeast Wind is a Killer Whale with Human and Wiid, a supernatural Haida bird. The two holes represent the eyes of the Killer Whale. Around Wiid's head at the base of the pole is the mouth of Killer Whale and the tail is at the top, surrounding Human. This totem pole was part of an exhibition "Abstract Impulse" that opened in 2013 at the Seattle Art Museum and closed (2014) at the Smithsonian in New York City. This totem was exhibited again in the exhibition "Robert Davidson Progression of ...
Totem Pole Commission
Kyran Yeomans (Haida)
Kyran Yeomans is the son of Don Yeomans and has recently completed two poles for a recent commiss...
Kyran Yeomans is the son of Don Yeomans and has recently completed two poles for a recent commission for us. Born in 1988 he is one of our younger artists and is still establishing himself. He’s worked in a variety of mediums, specializing in carved panels, boxes, and masks. Under the close teaching of his father, Don Yeomans, Kyran has developed a practiced hand and the style of Haida master carvers. He has put his own modern perspective on the art-form, and is an excellent choice for a tote...
Totem Pole Commission
Don Yeomans (Haida)
Don Yeomans is one of the most established and respected Northwest Coast artists in Canada. He is...
Don Yeomans is one of the most established and respected Northwest Coast artists in Canada. He is a master carver and has made several important totem poles including a totem to represent communication for the McMichael Museum in Ontario, and a totem to represent flight for the Vancouver Airport (both poles are pictured below). Don is an adaptive artist and is great at incorporating the client and their narrative into the carving of the pole. He would be an excellent option for making a custo...
Hawk Moon Pendant
Bill Reid (Haida)
c. 1971This pendant is stored off-site. To arrange a viewing, please contact the gallery directly...
c. 1971This pendant is stored off-site. To arrange a viewing, please contact the gallery directly.This is a 22kt gold repoussé work by Bill Reid that was made ca. 1971, called Hawk Moon. The pendant is representative of a stage in Reid’s career when he had switched almost exclusively to gold in his jewelry making. It was also around this time that Reid was making some of his most creative and detailed pieces by hand. In 1968 he received a Canada Council grant and moved to London to work on hi...
Frog Pendant
Robert Davidson (Haida)
Edition 4/5 16" Chain This piece is stored off-site. To arrange a viewing, please contact the gal...
Edition 4/5 16" Chain This piece is stored off-site. To arrange a viewing, please contact the gallery directly. Indigenous artwork on the Pacific Northwest Coast often incorporates figures and animals that are related to crest symbols. Crests have been passed down through families and have varying meanings depending on the context and association with a nation, clan, or family. The figures depicted in contemporary Northwest Coast Indigenous artwork also have varying meanings but there are so...
Raven Necklace
Robert Davidson (Haida)
2005 Chain: 21 ¾" L This piece is stored off-site. To arrange a viewing, please contact the galle...
2005 Chain: 21 ¾" L This piece is stored off-site. To arrange a viewing, please contact the gallery directly. Indigenous artwork on the Pacific Northwest Coast often incorporates figures and animals that are related to crest symbols. Crests have been passed down through families and have varying meanings depending on the context and association with a nation, clan, or family. The figures depicted in contemporary Northwest Coast Indigenous artwork also have varying meanings but there are some...
Edition /5 This item is available to order only. Various colours are available and size can be cu...
Edition /5 This item is available to order only. Various colours are available and size can be customized when ordered. Please contact the gallery if you would like more information. Indigenous artwork on the Pacific Northwest Coast often incorporates figures and animals that are related to crest symbols. Crests have been passed down through families and have varying meanings depending on the context and association with a nation, clan, or family. The figures depicted in contemporary Northwe...
Welcoming Frog
Don Yeomans (Haida)
Edition /5This item is available to order only. Please contact the gallery if you would like more...
Edition /5This item is available to order only. Please contact the gallery if you would like more information.Early in 2015, the gallery commissioned Haida artist Don Yeomans to create an original free-standing aluminum sculpture. Called Welcoming Frog the sculpture is made of powder-coated aluminum and can be mounted either indoors or outdoors. On the design, Don said that he has always liked the friendly look of the frog and sees it as a welcoming figure.As a commission, the remaining editi...
Welcome Frog Aluminum Gate
Don Yeomans (Haida)
To celebrate our 20th anniversary we approached Don Yeomans to make two special pieces for the ga...
To celebrate our 20th anniversary we approached Don Yeomans to make two special pieces for the gallery. The first was the design for the gallery's red aluminum gate, and the second was for a commemorative bronze edition. For both pieces, Don and Doug chose a frog design. For the door, Don said that he always has liked the friendly look of a frog and sees it as a welcoming figure. For the Bronze, Doug liked the association of Frogs with good luck, which appears in many cultures. On the opening...
Eagle Nai
Robert Davidson (Haida)
Width of Pole: 34" WBase: 4" H x 46" L x 26" WEagle Nai is symbolic of the House of the Eagle. Ea...
Width of Pole: 34" WBase: 4" H x 46" L x 26" WEagle Nai is symbolic of the House of the Eagle. Eagle's face is shown at the bottom of the pole, the hole represents the doorway with human faces on top. The design on the back of the totem pole is delightful as well but viewing the piece from one side doesn't take anything away from its appeal.This totem was exhibited in the exhibition "Robert Davidson Progression of Form" at the Gordon Smith Gallery in Vancouver in 2015. Since then it has remai...